THE APOTHEOSIS OF FLORA, 2013.
Once upon a time, at the end of the Ancien Régime and in the early years of Modern Times, a princess named Flore married the promising duke Wolfgang d’Ursel. Together they lived a very eventful life on their estate in Hingene (Bornem) and far beyond. In 1792, during the vicissitudes of the French Revolution, they started to build de Notelaer, a splendid classicist pavilion on the banks of the Schelde. This is where Bart Ramakers brought to life the imaginary world of Flore d’Ursel, with 12 enthusiast actors and 12 crew members. The 10 photographic “tableaux” resulting from this collaboration form a light-heeled ballet with noblemen, gods and mythological figures… and the very enigmatic ferryman.
STRANGERS IN THE NIGHT, 2014.
In each of us there is another whom we do not know. (Carl Gustav Jung)
In Strangers in the Night, Bart Ramakers peeps through the doors of former rendez-vous hotel Le Berger, a sulfur-smelling place, an overwhelming art deco universe, fraught with ineffable love encounters, veiled, searing, passionate, unauthorized histories. Imagine that the walls and beds could tell about the stolen moments, the illicit passion and the hidden love. Luckily the good shepherd is never far away, ready to take the lead and show the way …
IN BLUEBEARD’S CASTLE, 2015.
All men have secrets, even – and maybe most of all – towards their intimate friends. Because everyone also has a healthy curiosity, it’s better to lock them up tight! In the original story as told by Charles Perrault, the curiosity of Bluebeard’s wife and her discovery of his bloody secret almost costs her head. In the version presented here, lord Bluebeard’s sword is replaced by a camera to collect female beauty in two dimensions only. See what happens when his models grab the red key to Bluebeard’s secret!
Nicht wir haben Geheimnisse, die wirklichen Geheimnisse haben uns! (Carl Gustav Jung)
ADAMANT AMAZONES, 2015.
In the project ” Adamant Amazons” (2015) Bart Ramakers creates a mythology for our time, with strong female protagonists that are in control – with one foot on the accelerator. Bold amazones that do only master the cars, but also the men. They go all the way: they abduct, rob, escape and dominate – a sheer delight for all to see. Their cars are not the least : from a Bugatti 35B from 1928 to 2013 Tesla S, every piece is a jewel.
A DIVINE COMEDY, 2016.
With A Divine Comedy, photographic storyteller Bart Ramakers bends the New Testament to his will. He plays effortlessly with familiar mythological and religious themes to bring good tidings of great joy for this globalized world. His heaven (and especially hell) are populated by a colorful multicultural pantheon of gods from Mount Olympus, the Egyptian Delta, the Norwegian Asgaard, India and China. They fight, drink, love, play and sing along, while Jesus and Mephisto have an exciting fight for the power. Do absolute good and evil exist? And if so, what will save the world?
Bart Ramakers’ Divine Comedy is a feast for the eyes in eight scenes. As usual he spoils us with a sophisticated lighting, scenic colors, complex compositions and numerous references to the history of art, but above all: never before could you decipher such an exciting story on so many levels of meaning.
THE ANATOMY OF BEAUTY, 2017.
Bart Ramakers has been capturing beauty while telling his pictural stories for years and years. After a lifetime of fascination for the fair, he embarks on his most ambitious project ever, in order to understand the true nature of beauty. Is it in the eye of the beholder or is it the objective emanation of Truth and Wisdom? Is it a blessing or a curse? Will it overcome the atrocities of time and death or is it a victim itself? Can beauty save the world? Why is beauty sometimes cruel? Major questions that ask for an answer in this mesmerising whirlwind of enigmas and magical tricks about the cruelty of fate, adoration and extasy, the wheel of fortune, beauty and time, life and death. And art of course, eventually.
After millennia of civilisation, humans still suffer from a multitude of problems due to their inability to cope with themselves, the other(s) and society in general. Since these issues have proved to be too complex for human brains to remedy, Bart Ramakers and his team of Companions invented and created a number of Automats for a New World that solve the most important shortcomings of the human condition.So don’t worry: AUTOPIA is on it’s way, everything will be fine in the end!
“Everything changes, nothing is lost” is the motto of Ovidius’ Metamorphoses (1 after Christ). And indeed, in this bundle of myths, gods turn into animals, people change into constellations and flowers and rivers … but nothing is lost. Ovidius also shows that love and lust are the driving forces behind the behaviour of the gods. Adonis was loved by Aphrodite and Persephone, but was murdered by the jealous Ares who disguised himself as a wild boar. Anemones sprouted from his blood. The sportive Hyacinthus was loved by Apollo, but the jealous Zephyr blew a discus the wrong way and the dying Hyacinthus instantly changed into a bunch of flowers of the same name. Test your knowledge of the classic stories, and be overwhelmed by the meter-sized scenes.
FLORA AND THE WATER WARRIORS, 2018-2019.
With FLORA AND THE WATER WARRIORS, William Sweetlove and Bart Ramakers spark a fascinating dialogue between classicist goddesses and the role models of today’s climate protest. They put evolutions in perspective by bringing them back to the age where most of them have their roots: the Age of Enlightenment. That period saw the rise of the scientific approach that warns us now about the impact of our environmental footprint on our future.
LINLIN AND THE BRIDE UNVEILED, work in progress 2019-…